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Last updateFri, 06 Dec 2019 4pm
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An unprecedented art collection 3D printed by WASP and Andrea Salvatori

WASP Andrea Salvatori 3D printed clay art Ikebana Rock’n’Roll is the first art collection born by the dialogue between Delta WASP 40100 Clay and the artist Andrea Salvatori. It will go on stage at THE POOL NYC in Milano from 3rd April to 31st May 2019.

The one between Andrea Salvatori and 3D printing is an unprecedented, exuberant and at the same time composed confrontation, made of fleeting imperfections and reasoned pauses, which originates from an innate conflict between human creation and technical artifice, between man and machine.

The machine, in this case, is the 3D printer Delta WASP 40100 Clay, designed by WASP to be at the side of the ceramists throughout the artistic process, radically rethinking the idea of the work thanks to the innovative opportunities offered by digital fabrication.

The 3D printing is the symbol of a new artistic current, the result of unique digital repertoires and still not employed by contemporary art. The collaboration between WASP and the Master aims to outline new artistic scenarios, in which mechanical routines and sculptural gestures coexist in the compositional dialogue of the work.

Salvatori conceives this relationship with an extremely fascinating intuition: to tamper with the perfection of printing with a miscellany of ceramic insertions. The process of depositing the material and setting the spheres is a central theme in the Ikebana Rock’n’Roll collection, to the point of convincing Salvatori to name the works “Composition 40100”, as if they originated from a musical dialogue of the most varied tones. The artist upsets the algorithm reiterated slavishly by the machine with imperfect musical accents, the result from time to time of spontaneous actions and reasoned processes.

The ikebanes, proposed by Andrea Salvatori in the exhibition, transcend the experimental limits of an abstract investigation, representing a concrete territory in which 3D printing and ceramic art co-exist synergistically. The Master challenges the confrontation with the public, becoming also in this sector, precursor of a new genre in which WASP feels itself fully represented.

Inwww.3dwasp.com/

 

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